Two staff members from our Division of Academic and Public Programs discuss how the museums foster museum literacy and a ...
The painting is a landscape with three horses standing on a yellow and green surface, two are muted orange with blue and purple manes, the neck of the horse on the right is bent down, the horse on the ...
This painting may have been part of the most influential and important group of altarpieces painted in Siena in the fourteenth century. The city’s cathedral was dedicated to the Virgin, and ...
The textile is approximately rectangular with irregular edges and some lost areas. Saint Theodore’s flesh is worked in shades of undyed, pale pink, and tan, threads and he wears an off-white robe with ...
Against a medium dark brown background, monochrome tan brushstrokes depict a nude adolescent male crouching on the ground. Leaning forward on his arms, he looks ahead to the left and away from the ...
The objects in this case present different visions of the female body. Statuette or vessel, funerary offering or object of worship, decorative feature or conscious work of art, they would have ...
"Levi Parsons Morton (1824-1920) (José Maria Mora) , 119.1976.3506,” Harvard Art Museums collections online, Oct 04, 2024, https://hvrd.art/o/16440.
On a black and white tiered plinth and nude man stands in contrapposto. One hand is on his hip and the other is raised as if in greeting or salute. He looks in the direction of his raised arm and ...
This page has a painting on one side and a rectangle with four columns of black text on the other. The painting features a man with shoulder-length black hair and a black mustache riding a white horse ...
A man seated in a chair with a carved back and a rose colored cushion sits in three quarter profile facing right, turning his head to look at us. He wears a white wig, its shoulder length curls ...
With her large body and frontal pose, the Virgin here functions as a throne for Christ, a visual expression of her status as the Mother of God and source of wisdom. While the symmetry and rigid ...