A superb Daniel Craig drinks and dopes his days away in Mexico and becomes besotted with a young man in Guadagnino’s poetic reinvention of Burroughs’ grimy, semi-autobiographical novel.
South Korean cinema saw an explosion of creativity in the 1950s and 60s, but the films weren’t as widely exported as those of the Japanese golden age. Begin your exploration with this handful of ...
A new animated documentary presents the life of musician Pharrell Williams in an enjoyable and surprising Lego package.
The winning films explore a fascinating breadth of themes and stories, with best film going to Adam Elliot’s Memoir of a Snail.
Burke makes a rare screen appearance in Blitz as “lovely and horrible” gang-leader Beryl. She discusses being directed by McQueen, her disinterest in awards, and being drawn to nastiness.
The idea that New Zealand films could attract global success was on the ascendant in the 80s and 90s, after the New Zealand Film Commission had been established and highly distinctive films such as ...
WorkWise for Screen is a pilot to support screen businesses and employers to prioritise equality, dignity and respect in the workplace and sector specific guidance on the government’s incoming ...
In our autumn 1987 issue Michal Leszczylowski, editor of The Sacrifice, remembers his last meeting with Andrei Tarkovsky.
The first sight of a major BFI restoration of films starring Eille Norwood as Sherlock Holmes premiered to London Film Festival audiences this week, in the suitably Victorian setting of Alexandra ...
The makers of DreamWorks Animation’s wild escapade talk about bringing nature and technology together. The Wild Robot screened in the BFI London Film Festival as a special presentation on 13 October ...
Not everyone attending a Screen Talk for a filmmaker with new work at the festival will have had a chance to see the film in question before – especially for such a hot-ticket movie as Palme d’Or ...
Cinema founded itself in documentary, but how did the form develop an alternative visual language to that of the fiction film? Is it, as pioneer Joris Ivens claimed, “a creative no-man’s land”? From ...
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